Watch It

author: FutureCar Staff    

In Michael Mann's new Ferrari movie, there are no 250 GTOs, Daytonas, or Testarossas. This is because the film takes place in 1957, before those cars were introduced. Mann's goal is to delve into the mind and soul of Enzo Ferrari, the legendary figure behind the brand. Ferrari himself cared more about racing than selling cars to civilians.

The film is meticulously designed and constructed, much like the iconic Ferraris it portrays. However, it also reflects Enzo's enigmatic personality, sometimes appearing more stylish than emotionally impactful.

Mann drew inspiration from the 1991 biography "Enzo Ferrari: The Man and the Machine" by Brock Yates, a renowned writer and editor for Car and Driver. The book offers astute character analysis and delves into Ferrari's reputation as an innovator and designer. It also explores how American journalists contributed to the creation of Ferrari's captivating persona.

Mann's approach to the film was not a linear biopic. Instead, the screenplay compresses the entire story into one turbulent year, taking creative liberties with the timeline of events. This allows for a deeper exploration of Ferrari's character and his tendency to mythologize himself.

The movie begins with black-and-white footage of a young Enzo Ferrari as a racing champion, challenging the portrayal of him as a mediocre driver. The story then jumps to 1957, where Ferrari is depicted through a series of concise scenes that establish his character and relationships. The film showcases Ferrari's manipulative tactics to fuel competition among his drivers.

The climax of the film is the 1957 Mille Miglia race, which is shot with Mann's signature rigor and vigor. The race scenes, set across Italian towns and countryside, provide a thrilling experience reminiscent of iconic chase scenes in James Bond or Jason Bourne films.

The movie also delves into Ferrari's personal life, particularly his complicated relationships with women. While the film does not fully explore his womanizing tendencies, it portrays the strain in his marriage to Laura, his wife. Penélope Cruz delivers a vulnerable yet steely performance as Laura, adding emotional depth to the film.

Mann's personal connection to Piero Ferrari, Enzo's son, may have influenced the portrayal of Enzo's success as a driver and downplayed his womanizing. The film concludes with a sweet moment between Enzo and Piero, but it may not be the most impactful ending.

Overall, the film provides a glimpse into Enzo Ferrari's complex personality and his unwavering dedication to racing. It explores the consequences of his choices, both on and off the track. Ferrari is a visually stunning and emotionally engaging film that captures the essence of the legendary figure.

The film was showcased at the New York Film Festival and will be released nationwide on Christmas.

FutureCar Staff